Stony Road
Chris Rea’s Stony Road (Limited Edition Orange Vinyl) is a blues-rock pilgrimage through hardship, faith, and quiet hope. Featuring tracks like “Stony Road,” “Dancing the Blues Away,” and “Someday My Peace Will Come,” this 2LP reissue offers analog warmth and emotional clarity—resilient, soulful, and quietly radiant.
🛤️ Chris Rea – Stony Road
(Ear Music / Edel, 2002 / 2024 Vinyl Reissue – Orange 2LP, 180g, 45 RPM)
Some albums wander. Stony Road endures. This double LP is a melodic tapestry woven with Rea’s gravelly vocals, soulful guitar work, and lyrical depth. It’s a blues-rock pilgrimage through changing times, spiritual fatigue, and the quiet hope of redemption. Rea wrote and produced the album himself, painting vivid emotional landscapes with every track.
The album opens with “Changing Times” and “Easy Rider”—two tracks that set the tone with rhythmic drive and lyrical grit. Rea’s voice is weathered but resolute, and the arrangements are rich with slide guitar and ensemble restraint.
“Stony Road” (the title track) is haunting and poetic. It’s a slow-burning reflection on hardship and perseverance, framed by bluesy instrumentation and atmospheric textures.
“Dancing the Blues Away” and “Burning Feet” offer rhythmic lift and emotional urgency. The former is playful and cathartic, the latter tense and introspective.
“Mississippi 2” and “Slow Dance” evoke Southern landscapes and emotional stillness. Rea’s guitar work is expressive and spacious, allowing each note to breathe.
Side C and D deepen the arc:
• “When the Good Lord Talked to Jesus” and “Heading for the City” explore spiritual longing and urban escape
• “So Lonely” and “Someday My Peace Will Come” are lyrical prayers—quiet, sincere, and emotionally raw
• “The Hustler” and “Diamond” close the album with narrative grit and ensemble fire
The production is warm and analog-rich. Studio monitors will reveal the full fingerprint—Rea’s phrasing, Robert Ahwai’s guitar textures, Martin Ditcham’s percussion, and Ed Hession’s accordion voicings. The mastering by John Kelly preserves the emotional clarity and spatial realism of the original sessions.
Visually, the album cover is grounded and cinematic. Rea stands in a denim jacket against a cloudy sky and power lines—evoking solitude, motion, and quiet defiance. The orange vinyl adds visual resonance, echoing the album’s warmth and spiritual glow.
Stony Road is not just an album—it’s a curated emotional and philosophical arc. It honors the ensemble, the lyric, and the listener’s capacity for endurance and grace. It’s music that listens as deeply as it speaks.
Whether you’re discovering Chris Rea’s blues chapter or revisiting it with new ears, this LP offers a listening experience that’s both grounded and transcendent. It’s not just a reissue—it’s a reckoning, pressed in vinyl and glowing with intent.




























































































































































